Oh That Buñuel, So Deliciously Perverse
As I sit here in twitterpating anticipation of Mike's arrival into Madrid tomorrow, and as my usual dose of neurosis and lack of witty and/or snarky remarks leaves me without any terribly interesting news or well-crafted stories to tell, today I write about film.
My Carlos Saura obsession has, oddly enough, led to something much more provocative and bizarre: Buñuel. Needless-to-say, my eyes nearly glued to the screen everytime I watch a film, I decided to take up the task of viewing his entire filmography (or, at least, what the Filmoteca has in their collection). Today's viewing: Ensayo de un crimen (1955). A masterpiece which has continued to sustain my latest craze. The obsession, at first, began with the eye:
Ensayo de un crimen is a film filled with strange interceptions, murderous dreams, artistocratic drama, lots of trickling blood, and burning mannequins!!!!! That's right. Mannequins that burn in the flames of Archibaldo's uncontrolled desire!! Mmmuuuuaaaahhhhaahhaha!
I'll leave it here, since I don't want to bore you all. Just a sugesstion: the next time you go to rent a movie and can't think of that one title you've meaning to rent forever, but never write down and for some reason never seem to see at the video store anyway...well, try this one on for size, it just might knock your socks off...or your wooden leg (wink wink, JD)!!!